Aug 192025
 

August 16, 2025

Newstead Abbey was formerly an Augustinian priory. Converted to a domestic home following the Dissolution of the Monasteries, it is now best known as the ancestral home of Lord Byron.

As with all historic houses in the UK, one needs to attempt to grasp the lineage of the family. Sir John Byron of Colwick in Nottinghamshire was granted Newstead Abbey by Henry VIII of England in 1540 and started its conversion into a country house. He was succeeded by his son Sir John Byron of Clayton Hall. Many additions were made to the original building.

The 13th-century ecclesiastical buildings were largely ruined during the dissolution of the monasteries. It then passed to John Byron, an MP and Royalist commander, who was created a baron in 1643. He died childless in France, and ownership transferred to his brother Richard Byron. Richard’s son William was a minor poet and was succeeded in 1695 by his son William Byron, 4th Baron Byron. Early in the 18th century, the 4th Lord Byron landscaped the gardens extensively and amassed a hugely admired collection of artistic masterpieces.

The Upper Lake near the house was created by damming the waters of the River Leen to create a series of lakes ~ Upper Lake, Garden Lake, Lower Lake & the lakes in the Japanese Gardens.

Sadly, during the ownership of William, 5th Baron Byron, the Abbey suffered a downturn in fortunes. He stripped the Abbey and estate of its artistic treasures, furniture, and even its trees, to quickly raise cash, but it did not help.

The Great Hall

Eventually, the title fell to George Gordon Byron, then aged 10, who became the 6th Baron Byron and later the famous and notorious poet.

Lord Byron’s study

However, the title did not come with any money, so Byron and his mother moved to the nearby town of Southwell and neither lived permanently at Newstead for any extended period.  Byron’s view of the decayed Newstead became one of the romantic ruins, a metaphor for his family’s fall:

Thro’ thy battlements, Newstead, the hollow winds whistle;
Thou, the hall of my fathers, art gone to decay.

Hours of Idleness self-published for friends in 1807.

Eventually, Thomas Wildman, who had been at Harrow School with Byron and was heir to Jamaican plantations, purchased the estate. It is due to Wildman that the home stands as it is, restored and a museum to Lord Byron.

One dismal day in the summer of 1816 (the year without a summer due to a volcanic eruption which darkened the skies across Europe), a group of young people gathered at the Villa Diodati. Lord Byron, Mary and Percy Shelley, and John Polidori read ghost stories to pass the time. They started a competition to see who could write the best supernatural tale. That competition gave us Frankenstein and the Vampyre.

Ada Lovelace, the woman who is considered to have developed the first computer program, was the only legitimate daughter of the poet Lord Byron.

 

A portrait of Byron at the Abbey

Off of a cloister is this 13th-century chapel, formerly the monastic Chapter House.

Thomas Wildman, owner of Newstead from 1817 to 1860, restored the chapel in the mid-19th century. In about 1864, William Webb commissioned Charles Buckler to redecorate it. The Gothic revival stencilled wall painting in the style of William Butterfield dates from this period. These designs are said to be taken from illuminated manuscripts of Henry II’s reign and decorations discovered beneath the ceiling plaster.

Minton Floor tiles of the chapel

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The grounds around the home are a wonderful place to stroll

The back of the house

Sculpture over the door

The crypt is now the Gift Shop:

The Tomb of the 2nd Lord Byron

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Botswain

Byron was dedicated to his Landseer dog, Boatswain.

Botswain

A fragment of the original tomb Byron built for Botswain. Byron himself intended to be buried alongside Boatswain after his own death, but he had sold Newstead before he died.

Botswain’s Tomb

The poem “Epitaph to a Dog” by Byron is on the tomb.

 

We visited Welbeck today, but they will not allow cameras on the property.

Aug 192025
 

August 15, 2025

The current church is the successor to one built in 956 by Oscytel, archbishop of York. Some late eleventh-century fabric survives from this church, but the majority of the building dates from between 1108 and c. 1150, when it was reconstructed in the Romanesque style.

The big, thick Norman Columns

The Norman reconstruction of the church began in 1108, probably as a rebuilding of the Anglo-Saxon church.

The ‘Southwell Tympanum’ is variously dated from the 9th to the 11th century by experts. This massive stone is set in a 12th-century wall, indicating that it was likely brought here from elsewhere.

The  carving shows the Archangel Michael wielding a sword, in combat with a serpent, or dragon. To one side is a damaged figure, presumably King David, pulling at the gaping jaws of a lion. Interestingly, the underside of the stone is carved in a Celtic interlace pattern, which stylistically seems much earlier than the main carvings.

The underside of the lintel

I was enamored with these very modern Stations of the Cross by Jonathan Clark, done in 1999.

Stations of the Cross

 

Eagle Lectern

It is said that this late medieval eagle lectern was discovered at the bottom of a lake in the grounds of Newstead Abbey, the former home of the poet Lord Byron.

15th-century carving in the choir stalls

There were so many wonderful stone faces in the minster that I could not resist. * *

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The Chapter House

The ceiling of the Chapter House

The carvings of plants, animals, and green men found within the Chapter House are known collectively as ‘The Leaves of Southwell’. They are regarded as the best example of 13th-century naturalistic carving in the United Kingdom

I would not have found this little animal pig an acorn under the column capital if it weren’t for the wonderful clergy person who took me around to show me the minster.

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The Green Man

Faces in the Chapter House

One of the clergy wanted to make sure I saw this particular face. It is the one face very close to the ground.  The higher in the minster, the closer to god.

Graves outside

 

Aug 192025
 

August 13, 2025

 

Wollaton House

Wollaton Hall in Nottinghamshire was built between 1580 and 1588 for Sir Francis Willoughby and is believed to be designed by the Elizabethan architect, Robert Smythson.

The floor plan has been said to derive from Serlio’s drawing (in Book III of his Five Books of Architecture) of Giuliano da Majano’s Villa Poggio Reale near Naples of the late 15th century, with elevations derived from Hans Vredeman de Vries.

The house has now been turned into a Natural History Museum, so the only thing one can see of the original is the ornamentation, which is really fun.

The stables now serve as a store and cafe

The gardens are extensive with the obligatory man-made lake.

Keddleston Hall

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Keddleston Hall in Derbyshire was extremely strange to me.  Your first introduction is this stunning, grand hall that is regal.  The house had some exquisite touches, the color theme with robin’s egg blue was so inviting, and yet this was often juxtaposed with over-the-top ostentatiousness of the entertainment rooms, which distracted from the elegance of the home.

Twenty fluted Nottingham alabaster columns with Corinthian capitals support the heavily decorated, high-coved cornice.

 

The marble hall was completed in 1776–77

The current house was commissioned in 1759 by Nathaniel Curzon. The house was designed by the Palladian architects James Paine and Matthew Brettingham and was loosely based on an original plan by Andrea Palladio for the never-built Villa Mocenigo. Curzon put architect Robert Adam in charge of construction after seeing some of his garden temples.

An example of the gorgeous plasterwork

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Gold starts to creep in subtely

The curved wood was grown specifically for this floor

There were several of these lovely marquetry chairs

A gentleman’s reading chair

The robin’s egg blue is so soothing.

The gilting begins to overwhelm

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The gardens and grounds, as they appear today, are largely the concept of Robert Adam.

The Chapel of Keddleston Hall

Now, All Saints Church, this is all that remains of the medieval village of Kedleston, which was demolished in 1759 by Nathaniel Curzon.

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