Dec 312017
 

December 2017

Teshima is a rural island in the Seto Inland Sea that, with the nearby islands of Naoshima and Inujima has become a destination for contemporary art. The island also serves as one of the venues of the Setouchi Triennale art festival that is held in the region.

The building that houses Les Archives de Coeur by Christian Boltanski

The building that houses Les Archives de Coeur by Christian Boltanski

The main attraction is the Teshima Art Museum, but there are other exhibits as well.  It was winter when I visited, so many were closed, but that also meant, what was open had easy access (no lines).

One of the other permanent artworks on the island is Les Archives du Coeur (“Heart Archives”), it is located in a small building along the beach in the eastern outskirts of the Karato port area. For ¥510, it is one of the multiple locations across the world where visitors can make recordings of their heartbeat and listen to the recorded heartbeats of other people in a slightly unnerving environment. French artist, Christian Boltanski is the creator of the project and has been doing this since 2008.

When you enter the gallery it is dark, the small light bulb goes on with each heart beat. It takes a very strong beat to actually light the room enough to see the walls.

When you enter the gallery it is dark, the small light bulb goes on with each heartbeat. It takes a very strong beat to actually light the room enough to see the walls.

I had gone in and thought to record your heartbeat a little weird.  However, after you leave the main exhibit hall there are small computers with high-grade earphones to listen to other heartbeats, you choose the country and the person, it is weird, and in fact it is a little spooky, but after walking out and staring at the sea I realized it was an opportunity to be part of an actual art exhibit, so I walked back in and paid my ¥1540 and put myself into the exhibit via a quick recording.  That seems like a bit much (around $15US) but you walk away with a CD of your heartbeat (an outdated mode of recording) packaged in a stunning box, that is, in itself, a small piece of art, so it was worth it, to me.

All the glass in the house is red, creating a perfect environment inside for the art.

All the glass in the house is red, creating a perfect environment inside for the art.

The other large exhibit that was open during the winter was the Teshina Yokoo House (¥510).  This, like the Teshima Art Museum, is one of the more moving exhibits I have seen in a very long time.  While the art was contemplative, the building was stunning. The house is a  collaboration between artist Tadanori Yokoo and architect Yuko Nagayama. The project was created by altering and renovating an old private house located the Ieura District. The exhibition areas are divided into a “Main House,” a “Warehouse,” and an “Outhouse”.

Photos are not allowed inside, and overall shots of the exterior are hard to get from the narrow streets, but this is the entry to the home.

Photos are not allowed inside, and overall shots of the exterior are hard to get from the narrow streets, but this is the entry to the home.

The most moving space is the silo-like structure.  It appeared at first to be something you simply look into.  It took the docent to tell me you could actually enter the space.  The juxtaposition between the glass floor and the darkness completely fool the eye.  Once inside it is hard to leave, it is filled with old postcards right up to the top and is such a warm and comfortable space to enjoy, it was a very memorable experience.

The mosaic stream, filled with koi, continues under the house. It can be enjoyed through the glass floors.

The mosaic stream, filled with koi, continues under the house. It can be enjoyed through the glass floors.

As I mentioned much of the sites are closed during the winter, but you will trip over outdoor pieces.  A really fun one, that looks like it belongs there because it is on a playground. Installed for the 2013 Triennale, it is by Spanish artists Jasmine Llobet and Luis Fernandez Pons.

No one wins - Tashima Triennial“No one wins – Multibasket” creates a place where both the local residents and visitors can simply play basketball. There are multiple hoops and players must use their imagination and make up their own rules.

As you wander the island you come across the rice fields that are being brought back to life with the help of the Tashima Art Museum

As you wander the island you come across the rice fields that are being brought back to life with the help of the Tashima Art Museum

Everyone's yards were filled with various types of citrus trees. These consisted of Lemons, Mandarins and Iyolans.

Everyone’s yards were filled with various types of citrus trees. These consisted of Lemons, Mandarins, and Iyolans.

I always enjoy viewing temples when I can, there are several on the island, but this one was truly special

Temple viewing in Japan is always a joy

Temple viewing in Japan is always a joy

temples of Japan

On an island with a fishing industry, a fish Kami seems to me to be a normal thing to see at a shrine.

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*The Teshima Bulletin Board

Getting to Teshima requires some planning, the ferries only run a few times a day.  A good 5 hours should be allotted to the island, and remember I was there in the winter when the lines were either very, very short or non-existent.

Once you arrive there is an easy to miss area with bike rentals and a gift shop.  Here you will find the Teshima Guide that tells you everything that is open or closed for the day.

Renting bikes is the best way to get around the island, you can get an electric one if the hills are intimidating for you. Otherwise, for ¥100 per ride (about $1US), you can hop on the local bus.  It also doesn’t run very often, but walking is very easily supplemented with a few bus rides to cover the longer distances between ports.

The Tobas Rehberger house, in the Ieura port area was closed for the winter.

The Tobias Rehberger house, in the Ieura port area, was closed for the winter.

Tobias Rehberger is a German artist that does full exhibit installations with optical illusions. This is one of the permanent collections that was closed for the winter

The Needle Factory

Also in the Ieura area is the Needle Factory, another permanent exhibit that is closed for the winter.

Artist Shinro Ohtake takes an abandoned sewing needle factory and inserts and abandoned fishing boat for a full-size statement.

Teshima, Japan

Teshima is a wonderful island, strolling is easy, and art is accessible.  One will go for the Teshima Art Museum, but there is oh so much more.

Dec 302017
 

December 30, 2017

Teshima Art Museum

Teshima is a small island in the Inland Sea of Japan.  It had suffered economically until the Benesse Group, founded on the island of Naoshima, started turning the surrounding islands into art and architecture havens.  I began this adventure on the island of Tashima, and in particular with the Tashima Art Gallery, because it is December 30th and the gallery closes for the first week in January.

The Teshima Art Gallery is actually an art installation extraordinaire.  There are no photos allowed inside, and as a photographer, even I had to agree with the policy.  The building is a stunning meditation space with water as a medium.

However, the official photographer Noboru Morikawa has photos on his website.   I have borrowed one from his site, but it still does not give you any sense of the wonder of this museum.

Teshima Museum

I was drawn to the museum for its architecture, and that is a wonder unto itself. The architect is Ryue Nishizawa

According to the website:
“Structurally, the building consists of a concrete shell, devoid of pillars, coving a space 40 by 60 meters and with a maximum height of 4.5 meters. Two oval openings in the shell allow wind, sounds, and light of the world outside into this organic space where nature and architecture intimately interconnect. In the interior space, water continuously springs from the ground in a day-long motion….The museum, which resembles a water droplet at the moment of landing, is located in the corner of a rice terrace that was restored in collaboration with local residents.”

Before you enter you are told to be careful where you step.  Most obviously you are told of small pieces of pottery, but you are also told that the water droplets are part of the installation.  This seems silly until you enter the space and realize the water droplets are a huge part of the installation.  In fact, they are what it is all about.  Water is pushed through very small holes via the small pieces of pottery or extremely small holes in the ground.  They then traverse across the space, joining together organically and then disappearing with a wonderful “quiet water down the drain” sound.  All of this spectacular mind-blowing art is from the artist Rei Naito who worked in very close collaboration with Ryue Nishizawa to create a space that must be experienced to understand.

There are countless articles from Architectural and Art magazines that can be cited here, there is no point, you simply must experience this space personally if you ever have the opportunity to be in Japan.

Even the walkway to the museum is a work of art

Even the walkway to the museum is a work of art

Teshima, Benesse

Looking out onto the inland Sea of Japan

Looking onto the first opening which is on the entryway side of the museum

Looking on to the first opening which is on the entryway side of the museum.

Teshima Art Museum Benesse

The entry to the museum. They limit the number of people that can enter at a time, and you must take off your shoes to go in.

Teshima Art Museum

The Art Space of Teshima Art Museum is a shell-structure that is thought to be the lowest building in history, with a height of only four and a half meters and a thickness of only twenty-five centimeters.  There are two skylights in the ceiling.  The water-drop-shaped floor measures forty by sixty meters and there are no interior supports.

Such a structure is possible today because of technology, and in no way could have been achieved in an earlier era.  Using special software Matsuro Sasaki conducted the structural calculation in such a way that there would be no straight lines in the entire design.  The concept was realized by the advanced technology of Kajima Corporation.

To realized the design, soil from the site was mounded and coated with mortar. Next, double iron reinforcing frames for concrete were assembled on the mound.  It took twenty-two hours overnight in the middle of winter for 120 concrete mixers to pour the concrete over the mound, which was left to dry for five weeks.  Finally, it took six weeks to dig out the soil from inside the new concrete shell.- From the Curator’s Notes