Jul 122019
 

Woodstock, New York

Byrdcliffe was founded in 1902 near Woodstock, New York by the husband and wife team of Jane Byrd McCall and Ralph Radcliffe Whitehead along with colleagues, Bolton Brown (artist) and Hervey White (writer). It is the oldest operating Arts and Crafts Colony in America. Byrdcliffe was created as an experiment in utopian living inspired by the arts and crafts movement.

The colony, still in operation today, is located on 300 acres with 35 original buildings, all designed in the Arts and Crafts style.

The Theater

Planned in 1902 by Bolton Brown to house the Byrdcliffe School of Art. The large studio room, with magnificent lighting from the North, was used for painting classes, exhibitions, concerts, dance performances, and social events. The west wing once housed Ralph Whiteheads 5000 volume library. Today it is used as a theater for the performing arts.

The Villetta

The Villetta was built in 1903 as a boarding house for students.  It operated as the French Camp for Children during WWII.  It is now the home of the Artist in Residence program.  The building once had a  laundry, a wood room and servants quarters behind it.

Eastover

Eastover is one of Byrdcliffe’s largest homes, it was built in 1904-5 as faculty housing.  It has been the home/studio of Chevy Chase, The Band and artists Sally and Milton Avery.

Sunrise

Sunrise is the very first residence on Byrdcliffe to receive the morning sun.  Built in 1903 it was designed by Edna M. Walker and Zulma Steele.

Zulma Steele (1881–1979) was one of the first residents at the Byrdcliffe Colony and was considered one of the most talented students to come there. In 1903, she and Edna Walker, who both had recently graduated from the Pratt Institute in Brooklyn, arrived in Woodstock to work in the furniture shop.

Steele was one of the pioneering women of the Arts and Crafts movement and Modernism in New York. American arts journalist for the New York Times Grace Glueck noted that Steele was a “progressive-minded artist and artisan whose work was considered avant-garde.” She married a farmer, Nelson Parker, in 1926. After he died in 1928, Steele traveled extensively in Europe. She returned to upstate New York, where she died at the age of 98.

Serenata

Serenata is a year-round residence and studio.

The grounds were designed with the concept of beauty and mindfulness, even the water was captured in an artistic way to be enjoyed as it flowed down the mountain.

The car garage now the jewelry studio

Robin the Hammer is an instructor of jewelry in Woodstock. He created much of the jewelry worn by rocker Billy Idol in this studio He also created the High Times Cannabis Cup, awarded in Amsterdam every year

Fleur de Lis is another year-round residence and studio

The remains of the Old Kiln Shed built in 1914 by Ralph Whitehead as a pottery studio.

In 1913  Jane took a ceramics course at the University of Chicago and then studied in Santa Barbara under Frederick Hurton Rhead.  Throughout the mid-1920’s both Jane and Ralph created pottery along with the Byrdcliffe potters, Edith Penman, and Elizabeth Hardenburgh.  They created their own line called White Pines Pottery.

White Pines

White Pines was designed by Ralph Whitehead and Bolton Brown.  It was built in 1903 for the Whitehead family.  This was the heart of the colony where such guests as poet Wallace Stevens, authors Will Durant and Tomas Mann, naturalist John Burroughs and journalist Heywod Bround regularly visited.  The building is the quintessential example of the Byrdcliffe Arts and Crafts style.

The fireplace of White Pines

Jane was the cousin of Henry Chapman Mercer founder of Moravian Tile Works in Bucks County, Pennsylvania.  He created the blue-green tiles.

A dining set made at Byrdcliff with the trademark Fleur de Lis carved on the end legs.

A clock made at Byrdcliff – The furniture enterprise only lasted three years, ending in 1905.

The Loom Room was added to White Pines in 1905.

The loom room gave the colony a large, open, workspace for the production of hand-woven items.  There is a fireplace at one end, and once had a stove for dye pots, drying racks and looms.

The fireplace in the loom room. The Greek saying has been interpreted as a Sophocles saying “Love Begets Love”

Ralph Whitehead came from an extremely wealthy family in England who owned the Royal George Mills in Saddleborough.  He studied at Oxford with John Ruskin, the father of the English Arts and Crafts Movement. He attempted to study with William Morris, the English designer and a leader in the English Arts and Crafts movement, but as he wrote to his wife “Morris will not take me as a pupil -nor canst I got to him now – he thinks tapestry is too difficult for me which by my own confession I have no artistic faculty, I agree”. Whitehead did eventually learn rug making under the teaching of Byrdcliffe weaver Marie Little.

Jane Byrd McCall came from a prominent Philadelphia family. Jane was a descendant of founding fathers William Byrd and George Mason, her father, Peter McCall, was mayor of Philadelphia and a professor of civil law at the University of Pennsylvania. From an early age, Jane and her sister traveled back and forth from Europe, where Jane studied art at Oxford with John Ruskin and fine arts in Paris at the Académie Julian. After the sister’s presentation to Queen Victoria in 1886, Jane practiced art and held a salon for European nobility and gentry, intellectuals and artists at Albury House in Surrey.  She met Ralph in Italy during her travels.

The Whiteheads’ marriage was based on an idea of a shared vision for a life lived apart from the real world, surrounded by beauty and useful work in the arts.

Byrdcliffe was left to Peter Whitehead, the only surviving son.  He bequeathed Byrdcliff and its remaining assets to the Woodstock Guild of Craftsmen.  In 1979 Byrdcliffe became a National Register Site for its Historical and architectural importance.

Jul 082019
 

Artist Cemetery
Woodstock, New York

The Woodstock Artists Cemetery is officially operated by the Woodstock Memorial Society, the original 80 ft. by 100 ft. plot of land was purchased by John Kingsbury following the tragic death of his son. Additional land was purchased and the Woodstock Memorial Society was incorporated on November 4, 1934.

In an effort to preserve the natural beauty of the landscape, the founding members sought to limit traditional symbols of grief. As a result, conventional tombstones and other visual intrusions were prohibited. As is still the case today, graves are marked only by ground-level stones, many crafted from native bluestone.

The Penning sculpture stands at the highest point of the hill. The poem, penned by Dr. Richard Shotwell reads: “Encircled by the everlasting hills they rest here who added to the beauty of the world by art, creative thought and by life itself.”

Shotwell was a Columbia professor, who attended the Paris Peace Conference at the end of World War I and helped draft the United Nations Charter after World War II.

The only other above ground structure permitted is the memorial honoring the life of Byrdcliffe founder Ralph Whitehead and his family. Woodstock became a draw for artists in 1902 because of Byrdcliffe, which was one of the country’s first intentional arts communities.

The cemetery is the final resting place for artists as diverse as Robert Koch, the Academy-Award-winning screenwriter of Casablanca; American modernist painter Milton Avery; WPA muralist Ethel Magafan, children’s book author Paula Danziger; and pianist Richard Tee, who played on Paul Simon’s “Slip Slidin’ Away.”

The legacy of some artists buried there has endured while the names of others, once well known, have become obscure, such as this grave of Clinton Woodbridge Parker.

 

Bolton Brown, carved his own birth and death years (as he felt the end approaching) into a boulder for his grave marker.

Brown was an artist, Lithographer, and Mountaineer. Brown was one of the founders of the Byrdcliffe Colony. He attended Syracuse University, Syracuse, New York, where he received his Masters Degree in Painting. In 1891 he moved to Stanford, California to create the Art Department at Stanford University and was head of the department for almost ten years, but was dismissed in a dispute over his use of nude models in the classroom. Mount Bolton Brown in the California Sierras, is named in his honor.

The Sculpture Garden of
The Woodstock School of Art

In 1996, Pascal Meccariello, from the Dominican Republic, Alan Counihan, and Colm Folan, from Ireland, and husband and wife Hideaki and Eiko Suzuki, from Japan, were part of the Woodstock School of Art Sculpture Residency. They each picked various sites in the woods behind the school and created beautifully intricate sculptures, mostly of stacked bluestone.

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Opus 40
50 Fite Rd
Saugerties, NY

Opus 40 is the work of just one man, Harvey Fite.  The sculpture, made of bluestone from the local quarries, covers 6 1/2 acres

Fite created Opus 40 by hand. The work, which he said would take him 40 years (thus the name), consisted of ramps, stairways, pools, moats and other configurations carved in the bluestone. It was to be completed in 1982, but Fite died three years prior in an accident.

Mr. Fite, studied art at St. Stephen’s College and in Florence, Italy, where he studied with Corrado Vigni.

His works are on display in the Whitney Museum of American Art and the Albany Institute of History and Art. In 1938 Fite was commissioned by the Carnegie Institution in Washington to restore ancient Mayan sculpture in Copan, Honduras. His work was shown in 1953 and 1954 as part of the Department of State traveling group shows in Europe and Africa.

Opus 40 was added to the National Register of Historic Places in 2001 and has been described in Architectural Digest as “one of the largest and most beguiling works of art on the entire continent.” * *

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High Falls

High Falls, a stunning natural waterfall, is not far from Opus 40. Situated on the Saranac River, it provides hydroelectric power.